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When Party Monster was first published, it created a storm of controversy for its startlingly vivid, strikingly fresh, and outrageous depiction of the hedonistic world of the 90s New York City club kids, for whom nothing was too outré—including murder. Nominated for the Edgar Award for best true-crime book of the year, it also marked the debut of an audaciously talented writer, James St. James, who himself had been a club kid and close friend and confidant of Michael Alig, the young man convicted of killing the drug dealer known as Angel. This is the inside story of life in clubs like The Tunnel and The Limelight and hanging with leading lights like Keith Haring and RuPaul and the drugs, sex, music, and mayhem that existed during the heyday of New York City club culture.
- Sales Rank: #71762 in Books
- Model: 940394
- Published on: 2003-09-01
- Released on: 2003-09-01
- Original language: English
- Number of items: 1
- Dimensions: 8.44" h x .70" w x 5.50" l, .63 pounds
- Binding: Paperback
- 288 pages
Amazon.com Review
In 1996, New York City drug dealer and "club kid" Angel Melendez was bludgeoned, injected with Drano, dismembered, and tossed into the river. James St. James was there when the killer confessed, but before that, there were the clubs, the parties, the drugs, and the many fabulous (and some not so fabulous) outfits. Disco Bloodbath is "celebutante" St. James's story, equal parts confession and attempt at closure. This is no square-jawed detective's account of the investigation of the crime; St. James is a drug-addled clubster who wears a wedding dress out on the town and invokes Judy Garland as he talks about the scene in which he and Melendez immersed themselves before the murder. His story, despite its gruesome subject matter and frequent, shocking lucidity, has a chatty and anecdotal quality that's compelling, endearing, and unrelentingly human. --Lisa Higgins
From Publishers Weekly
When suspected drug dealer Angel Melendez disappeared in March 1996, the arrest of party promoter Michael Alig, impresario of the debaucherous "club-kid" scene of the early 1990s, sent shock waves through the New York City club scene. Alig and his roommate were later convicted of the grisly murder and dismemberment of Melendez. According to St. James, who describes himself as "a rather needy diva" and Alig's "best friend," the conviction was no surprise: days after the murder, Alig had confessed to him while they did drugs together in Alig's apartment. St. James's account of the rise and fall of Michael Alig is a most unconventional contribution to the body of true crime. Mixing dish on the outrageous exploits of club queens with "the running commentary of a babbling drug addictAme," St. James fuses the unrepentant humor and narcotic gusto of Hunter S. Thompson with pure campAand the result is a flamboyant and engrossing first-person narrative. But while St. James's flashy approach is artful and engaging, it ultimately serves to solidify the tabloid nature of his tale. St. James has no sympathy for the victim of the crime. The closest thing to emotion on display is St. James's obsessive need to document the highs and lows of life with the maddening Alig and his own self-pity at the end of his carousing days with Alig. "How superficial to say that because of a murder, I didn't feel like dressing up anymore!" Yes, and how. (Aug.)
Copyright 1999 Reed Business Information, Inc.
From Kirkus Reviews
Michael Alig was a top promoter in the deviant, drug-soaked Manhattan club scene of the early 1990s. The party ended when he savagely murdered a drug dealer and deposited the dismembered corpse in the river. Three years later, scenester St. James tattles on his homicidal pal in an unformed, exploitative, and cobbled-together work. St.James betrays his friend Aligs confidencenot for personal gain, of course, but for soul-searching purposes: I had to look at the monster in me that could love someone like this. Yet most of the book is devoted not to analysis of Aligs background and motivation, but to St. Jamess wearying recall of their heady years grappling for supremacy in the top echelons of club society. This hazily jaundiced narrative offers only unappealingly reductive portraits of club kids, gay nightlife, and druggies. St. James dishes endlessly on such topics as his ketamine addiction and his circles catty social rituals, but his inability to convincingly contextualize his taleto place the hedonistic club scene within a larger portrait of fin-de-sicle Manhattan, or to humanize Alig as something more than a cipher- turned-inept-killerreduces his book to a mere check-list of seamy tropes. Disco Bloodbath is a dreary and minor retelling of a tale whose principals have long since been exhumed by the mainstream media. -- Copyright ©1999, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Sarcastically Dark Tale of Drugs & Murder
By Ashley Marie
James St. James is brilliant.. Although this story is about murder and is truly dark; he puts a pretty comical and sarcastic spin on this tale... The characters in this book are truly one of a kind and need I remind you, they are actual real people... I love how he randomly inserts personal thoughts as if the whole book was a movie inside his head rather then on actual paper.....
5 of 6 people found the following review helpful.
Interesting Look at Lifestyle and Murder
By mwreview
I certainly entered a world in which I've never been when I opened "Disco Bloodbath." I was drawn to this book after I saw a documentary on the "club kid" murder of Angel Melendez by flamboyent club promoter Michael Alig. Although the title of the book implies that it is a typical true crime book that thoroughly covers the murder and aftermath, it is actually a look at the club kid lifestyle and all the drugs and Max Factor that went with it.
Former club kid and "celebutante" James St. James gives the reader a disturbing look at life as a K junkie and (in Alig's case) heroine fiend. Whether it be tearing up floor boards for
lost drugs (of course, it must have fallen into the floor boards!) or Alig asking James if he could stitch up an artery as Alig (desperate without a needle) planned to slash open his wrist in order to push his heroine into his vein, James' account is quite revealing. Except for the introduction and the last few chapters (which, to me, seemed a bit rushed) the murder seems to take a back seat to the everyday drug-infested mess of the club kid scene. Sometimes, I found it difficult to follow due to the many characters who are introduced (although, I imagine there are many more people James could have included in his account). Photos would have been a welcomed addition, but I understand why the author did not include any. Some information is missing (i.e. how Alig was finally arrested and Alig's official confession--the confession of partner-in-crime Freeze is included). The lesson James learns from his experience is that "you CAN'T just make up your own rules. And you CAN'T just live in your own little world." ......OK.
Still, this book is a must have for those (like myself) who found themselves fascinated by the club kid murder. It's a wonder James was able to remember those days so clearly and was able to survive with his brain and sense of morality intact to write his account. I have a feeling Alig will be writing his own account and, once out of prison, will be making movies somewhere. That's justice for you.
0 of 0 people found the following review helpful.
Firsthand clubland story
By Roo
A very easy read, James st James writes like he's talking to you. More about the club scene than Angel's murder so there's no gore. Mostly music and fabulousness.
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